Not even for a brief moment does life hold still for you.
When sketching outdoors, the first lines placed on the page are the most important. These spontaneous marks are what I call life lines and they are vital in translating your first visual reaction to your subject onto paper.
One afternoon, while rearranging the studio between sessions with students, I picked up a vase of flowers. Holding the vase in my hands, I slowly rotated it to notice a cluster of freshly cut tree leaves embracing a curved carnation stem—they seemed to be performing a graceful dance together. Fascinating drawing subjects have a way … Continue Reading ››
As a kid, I remember squirming with anticipation during the climatic moment of truth in vintage Clint Eastwood westerns. The camera zooms to a closeup of Eastwood's eyes, followed by unbearable tension as the day of reckoning swelters beneath a desert sun. With eyes narrowly focused, the legendary Clint Squint always spelled doom for the … Continue Reading ››
Autumn brings us Halloween, the time of year when our thoughts are haunted by ghosts and goblins. But for those of us who are learning to draw, the zombies of perfectionism can be the most terrifying creatures—every day of the year!
Our notion of having to make the … Continue Reading ››
As we welcome new Level 1 students to Drawing Lab sessions, our courageous Level 3 sketchers continue to lead the way, forging ahead to explore the possibilities of realistic and abstract drawing.
In the above drawing of a sand dune, youth student Jesse ventures out of his comfort zone to learn blending techniques of colorful Tombow … Continue Reading ››
The mountains of Santa Cruz are a great place to practice drawing fast. While on a mountain bike ride, I completed the ink study shown above in just a few minutes. Being able to draw anything, anywhere—fast or slow—is how I like to roll.
Legendary teacher, Kim Nicolaides wrote, “For an artist, the important thing … Continue Reading ››
Whether sketching buildings or humans, Drawing Lab students learn to attack their studies with the same key strategy: Find the basic structure of your subject before going to a finished drawing.
Drawing Lab student, Mike, sent us this sketch while vacationing in Edinburgh, Scotland. … Continue Reading ››
After your first session or two with me it becomes clear—while spending hours practicing my block-sketch-draw method, we often find ourselves in a tortoise and hare race.
As you jump ahead to attempt drawing perfectly finished lines, I slow you down to keep your line work light and open. As you slow down to finish … Continue Reading ››
