Children have tremendous respect for drawing. They are in awe of anyone who draws a picture for them. For example, they’ll pay close attention when cartoons are sketched on a place mat at a restaurant. Children are equally impressed with simple drawings as they are with renderings of an accomplished artist. But do children gain the same respect paid for drawings they make? Continue reading Respecting Children’s Drawings
In the opening scene of the classic comedy What About Bob, we see a perplexed Bob Wiley, played by Bill Murray, contemplating his fate of stepping outside the door of his apartment and onto the streets of New York. He quickly becomes overwhelmed by his fears of just about everything and everyone in the world.
As Bob finally meets with Dr. Leo Marvin, played by Richard Dreyfuss, he sits in awe of the prominent psychiatrist’s suggestion to start with reasonable goals. “Don’t think of everything you have to do to get out of the building, Bob. Think about what you have to do to get out of this room,” says Dr. Marvin as he hands Bob a copy of his book Baby Steps. Comedic escapades ensue as Bob applies life-transforming small habits to the bigger complexities of life.
If it’s difficult for you to set—and maintain—your goal to draw regularly, try the advice given to Bob and take baby steps toward an easy and satisfying drawing habit.
Here are simple steps for starting your small drawing habit: Continue reading The Small Drawing Habit
How can a tattered and worn sketchbook possibly compete with the dopamine rush of seeing dozens of Likes on your latest Facebook post? Continue reading Facebook or Sketchbook?
As we welcome new Level 1 students to Drawing Lab sessions, our courageous Level 3 sketchers continue to lead the way, forging ahead to explore the possibilities of realistic and abstract drawing.
In the above drawing of a sand dune, youth student Jesse ventures out of his comfort zone to learn blending techniques of colorful Tombow pens. The realistic ridge of the dune is defined by a curved contour edge. Bold highlights and richly layered shadows show 3-dimensional form of the massive dune.
But we also become intrigued with Jesse’s experimental process of blending ink colors. We begin to share his fascination with orange, yellow, and black ink commingling with the paper’s surface. The line between realism and abstract drawing is blurred, and we are enthralled with Jesse’s subjective experience with materials as much as the image of the sand dune itself. Continue reading Realism or Abstract? You Decide
Whether it be a cameo appearance, or a major role, drawing can play an important part in the success of a motion picture. For years I’ve taken note on how drawing is used as a storytelling device in movies, and the many ways characters are shown drawing in everyday life. Here are highlights from my list of past indie and major films as well as some of this year’s Oscar contenders that feature drawing scenes. So grab some popcorn, sit back, and enjoy the show. Continue reading Drawing on the Big Screen
These drawings look like they could have been made by anyone—a child scribbling just for fun, an employee doodling during a staff meeting—but they’re not.
Extraordinary ideas can start with ordinary drawings. Brilliant thinkers use drawing as a tool for solving problems and conveying ideas. Can you guess who made the drawings shown above? Continue reading These Could Be Anybody’s Drawings
Several decades ago, as an avid surfer, nothing excited me more than packing my surfboards and heading up the coast to discover new places to ride waves. Recently, I decided to conjure up my youthful fervor for exploration and set out on a sketching safari to the Pacific Northwest. What happened on the journey was totally unexpected; I rediscovered the thrill of drawing for pure enjoyment.
And along the way I came up with some essential tips that I’d like to share with you. Here’s what I learned about the art of sketching while on the road. Continue reading How a Road Trip Can Ignite Your Desire to Draw
Drawing is a skill you can learn and never forget. But you can get out of practice, and over the years stop altogether.
Perhaps it’s been a long time since you’ve felt the wind on your face, but your inner child always remembers the thrill. As written in the important little book, Art & Fear, “Quitting is fundamentally different from stopping. The latter happens all the time. Quitting happens once. Quitting means not starting again—and art is all about starting again.”
Doesn’t it feel like it’s time to pick up a pencil and put it to paper? The hand may be a little wobbly and wonky at first, but give it a while. You won’t be able to resist a pleasant giggle as you feel the joy of sweeping your hand across the page, as spontaneous graphite trails traverse an eager drawing composition.
It’s never too late to start again.