Okay, it is true. I carry a sketchbook with me wherever I go—even to the hospital!
Recently, I took time off work to deal with a few minor medical issues that I had postponed for quite awhile. I booked them all in the span of two weeks—what I will call my Club Med vacation. Of course, my sketchbook was in hand to record the experiences during the exhausting journey.
As a young child, you likely learned to draw a tree by using a few circular shapes to symbolize masses of leaves supported by a narrow rectangle to depict the tree’s trunk. And if you were in a creative mood that day, a few angled lines could be added to suggest its branches.
Of course drawings of trees could vary widely depending on where you lived as a kid. Tall triangles symbolized towering conifers. Or a long and curved line topped with serrated, curved shapes became a palm tree. It was easy and fun to draw a tree.
Unfortunately, the joy of drawing trees—and everything else—is abandoned by many kids as they become immersed in the rigors of writing, math, and reading. Most people leave childhood drawing behind to pursue life’s more grown-up callings. But not me.
Drawing became my livelihood and a continuous source of joy. And as an adult, trees have remained one of my core subjects of interest. Various species of trees have been tapping their roots in the pages of my sketchbooks for several decades. It is like having my own forest of drawn memories bound together.
Following are some of my sketched moments with trees…
Waking up to a misty Payne’s Gray sky that engulfs coastal Santa Cruz is common at this time of year. On this particular Saturday morning, I was hoping for summer sunshine that would keep our paper dry and help us to see and sketch crucial shadows.
Anticipation ran high as I packed my sketchbook and a lunch. A small tribe of my most ardent studio students was gathering for a workshop at one of my favorite outdoor sketching locations, Wilder Ranch State Park. Continue reading Sketches In Paradise→
Every time we open our urban and field sketchbooks to draw, we’re faced with the same challenge—to swiftly transform flat 2D pages into believable 3D environments the viewer can walk into. Continue reading Walking Into a Sketch→
As we welcome new Level 1 students to Drawing Lab sessions, our courageous Level 3 sketchers continue to lead the way, forging ahead to explore the possibilities of realistic and abstract drawing.
In the above drawing of a sand dune, youth student Jesse ventures out of his comfort zone to learn blending techniques of colorful Tombow pens. The realistic ridge of the dune is defined by a curved contour edge. Bold highlights and richly layered shadows show 3-dimensional form of the massive dune.
But we also become intrigued with Jesse’s experimental process of blending ink colors. We begin to share his fascination with orange, yellow, and black ink commingling with the paper’s surface. The line between realism and abstract drawing is blurred, and we are enthralled with Jesse’s subjective experience with materials as much as the image of the sand dune itself. Continue reading Realism or Abstract? You Decide→
The mountains of Santa Cruz are a great place to practice drawing fast. While on a mountain bike ride, I completed the ink study shown above in just a few minutes. Being able to draw anything, anywhere—fast or slow—is how I like to roll. Continue reading Fast & Furious or Slow & Curious?→
Lucy and her mom, Jamey, are students in our Draw With Your Kids program. While vacationing, they sent us the above photo in an email last week.
“We miss you!!! I don’t think we have been in town for a Thursday this whole summer! Lucy asked me to send you this photo of one of her sketches…you will be happy to know that wherever we are she has the sketch pad with her.”