Okay, it is true. I carry a sketchbook with me wherever I go—even to the hospital!
Recently, I took time off work to deal with a few minor medical issues that I had postponed for quite awhile. I booked them all in the span of two weeks—what I will call my Club Med vacation. Of course, my sketchbook was in hand to record the experiences during the exhausting journey.
Children have tremendous respect for drawing. They are in awe of anyone who draws a picture for them. For example, they’ll pay close attention when cartoons are sketched on a place mat at a restaurant. Children are equally impressed with simple drawings as they are with renderings of an accomplished artist. But do children get the same respect paid for drawings they make? Continue reading Respecting Children’s Drawings→
As a young child, you likely learned to draw a tree by using a few circular shapes to symbolize masses of leaves supported by a narrow rectangle to depict the tree’s trunk. And if you were in a creative mood that day, a few angled lines could be added to suggest its branches.
Of course drawings of trees could vary widely depending on where you lived as a kid. Tall triangles symbolized towering conifers. Or a long and curved line topped with serrated, curved shapes became a palm tree. It was easy and fun to draw a tree.
Unfortunately, the joy of drawing trees—and everything else—is abandoned by many kids as they become immersed in the rigors of writing, math, and reading. Most people leave childhood drawing behind to pursue life’s more grown-up callings. But not me.
Drawing became my livelihood and a continuous source of joy. And as an adult, trees have remained one of my core subjects of interest. Various species of trees have been tapping their roots in the pages of my sketchbooks for several decades. It is like having my own forest of drawn memories bound together.
Following are some of my sketched moments with trees…
One afternoon, while rearranging the studio between sessions with students, I picked up a vase of flowers. Holding the vase in my hands, I slowly rotated it to notice a cluster of freshly cut tree leaves embracing a curved carnation stem—they seemed to be performing a graceful dance together. Fascinating drawing subjects have a way of finding you when you least expect it.
Even though I had a busy schedule that day, this shock of elegant beauty engaged my curiosity. I set the vase aside and attempted to move on to other tasks. But glances of vibrant colors and alluring rhythms of details brought me back to the flower arrangement, forcing me to consider drawing it later that evening. Continue reading Drawing is Like Crossing a River→
Still only a faint whisper, but growing steadily louder, is the annual mantra that echos in every teacher’s mind, “Prepare yourself for back-to-school madness.”
Planning drawing lessons for six high schools is quite challenging, especially while mother nature tempts me with perfect summer mountain biking weather outside the studio door. Also challenging is the mental preparation for that inevitable group of students who will lay down the gauntlet, at the very first moment of class, proclaiming outright, “I! Can’t! Draw!” Continue reading I Can’t Draw!→
In the opening scene of the classic comedy What About Bob, we see a perplexed Bob Wiley, played by Bill Murray, contemplating his fate of stepping outside the door of his apartment and onto the streets of New York. He quickly becomes overwhelmed by his fears of just about everything and everyone in the world.
As Bob finally meets with Dr. Leo Marvin, played by Richard Dreyfuss, he sits in awe of the prominent psychiatrist’s suggestion to start with reasonable goals. “Don’t think of everything you have to do to get out of the building, Bob. Think about what you have to do to get out of this room,” says Dr. Marvin as he hands Bob a copy of his book Baby Steps. Comedic escapades ensue as Bob applies life-transforming small habits to the bigger complexities of life.
If it’s difficult for you to set—and maintain—your goal to draw regularly, try the advice given to Bob and take baby steps toward an easy and satisfying drawing habit.
While paging through Charles Bargue’s Drawing course book, Scout’s eyes lit up as we came upon the print of the plaster cast torso.
“It even has block-in lines!” she said enthusiastically, referring to the angled directional lines that would help her depict weight distribution of the figure’s muscles. We promptly bookmarked the page as the subject for her drawing session.
Choosing a subject to draw is an important aspect of the drawing experience. Your subject should strike an emotional chord that stimulates your eye, builds your skills, and fits your purpose for drawing.