After your first session or two with me it becomes clear—while spending hours practicing my block-sketch-draw method, we often find ourselves in a tortoise and hare race.
As you jump ahead to attempt drawing perfectly finished lines, I slow you down to keep your line work light and open. As you slow down to finish a specific area of your drawing, I come along and have you bounce around the entire composition, comparing the size of one shape to another, correcting the distance between an angled line and a curved one, and so on.
Ah, the joy of leaving the complexities of life behind so we can relax in the studio to… um… draw the complexities of life.
Students like Max (shown above) enjoy learning to draw things that tend to be marvelously complex. Last Thursday, Max distilled the essence of pine cones on a branch through keen observation of patterns, contour edges, and color. Continue reading Simplifying Complexity→
“There is only one right way to draw and that is a perfectly natural way. It has nothing to do with artifice or technique. It has nothing to do with aesthetics or conception. It has only to do with the act of correct observation, and by that I mean a physical contact with all sorts of objects through all the senses.” —Kim Nicolaides, The Natural Way to Draw
As a drawing coach, one of my greatest thrills is seeing students smile as they revel in pure, honest sketching from life. I enjoy nudging each student to the next level of exploration and discovery in finding their own confident, natural way to draw. Continue reading The Natural Way to Draw→
During our studio sessions, we learn to engage in the moment, to be enthralled with the process of drawing. Instead of always having high expectations for final artwork, we embrace the challenges and sweet little successes, even if those successes amount to just a few well-placed contour lines on a paper filled with frustrating attempts. Shown above, Mike works through the challenges of blocking and sketching studies of a statue bust. Persistence in solving problems can yield inspirational results for both student and teacher.
Drawing Lab students work in sketchbooks to augment studies we usually do on larger paper. Our Wednesday and Thursday evening crews enjoy learning quick gesture sketches as well as longer, detailed studies of objects around the studio. Shown in the above photos, Lenore happily busted out a fine Picassoesque gesture sketch of the rooster, while Fiona swiftly studied textures and details of the rusty, old lantern.
Several decades ago, as an avid surfer, nothing excited me more than packing my surfboards and heading up the coast to discover new places to ride waves. Recently, I decided to conjure up my youthful fervor for exploration and set out on a sketching safari to the Pacific Northwest. What happened on the journey was totally unexpected; I rediscovered the thrill of drawing for pure enjoyment.
Learning to control your line work is crucial in learning to draw well. One way to tame the lines in your drawings is to take time to read the line work done by great masters. In studying the confident strokes by legendary virtuosos—from ancient cave artists, to Albrecht Durer (shown above), to Eugene Delacroix—you’ll become a skilled observer of life and dramatically improve your drawing.
Following is the shortlist of my heroes who have laid down some of the greatest lines ever drawn in history. I encourage you to be diligent in studying these Great Lions of Drawing. Let’s dive in! Continue reading The Great Lions of Drawing→
Autumn brings us Halloween, the time of year when our thoughts are haunted by ghosts and goblins. But for those of us who are learning to draw, the zombies of perfectionism can be the most terrifying creatures—every day of the year! Continue reading Attack of the Zombies of Perfectionism→