After months of anticipation, the moment of departure finally arrived—I was jetting to Italy with the purpose of diving into its culture and drawing in my sketchbooks. During the long flight, arcing over Iceland toward Zurich and Rome, I pondered Robert Henri’s advice in his book The Art Spirit:
“The sketch hunter has delightful days of drifting about among people, in and out of the city, going anywhere, everywhere, stopping as long as he likes—no need to reach any point, moving in any direction following the call of interests. He moves through life as he finds it, not passing negligently the things he loves, but stopping to know them, and to note them down in the shorthand of his sketchbook.”
That would be me; a sketch hunter for a month-long adventure in Italy.
Drawing Lab students work in sketchbooks to augment studies we usually do on larger paper. Our Wednesday and Thursday evening crews enjoy learning quick gesture sketches as well as longer, detailed studies of objects around the studio. Shown in the above photos, Lenore happily busted out a fine Picassoesque gesture sketch of the rooster, while Fiona swiftly studied textures and details of the rusty, old lantern.
On urban streets or nature trails, where I enjoy sketching swiftly, I often find myself struggling with how to show realistic depth in my drawing. I’ve come up with a few strategies that use emphasis of lines and tones to create the illusion of depth and I’d like to share them with you. Continue reading Emphasis In Your Drawing→
Can urban sketching—the art of drawing what you observe in a city—ever become a truly comfortable and relaxing pastime for amateurs? By way of curiosity, commitment, and courage the answer is a resounding YES! Continue reading Ups & Downs of Urban Sketching→
Several decades ago, as an avid surfer, nothing excited me more than packing my surfboards and heading up the coast to discover new places to ride waves. Recently, I decided to conjure up my youthful fervor for exploration and set out on a sketching safari to the Pacific Northwest. What happened on the journey was totally unexpected; I rediscovered the thrill of drawing for pure enjoyment.
Learning to control your line work is crucial in learning to draw well. One way to tame the lines in your drawings is to take time to read the line work done by great masters. In studying the confident strokes by legendary virtuosos—from ancient cave artists, to Albrecht Durer (shown above), to Eugene Delacroix—you’ll become a skilled observer of life and dramatically improve your drawing.
Following is the shortlist of my heroes who have laid down some of the greatest lines ever drawn in history. I encourage you to be diligent in studying these Great Lions of Drawing. Let’s dive in! Continue reading The Great Lions of Drawing→
I learned to draw flowers at a young age. You probably did too. As children, we were encouraged to make each flower an object of beauty. But what about wilted native sunflowers? Why would anyone spend time drawing such dreadful looking things? Continue reading In the Eye of the Beholder→