After months of anticipation, the moment of departure finally arrived—I was jetting to Italy with the purpose of diving into its culture and drawing in my sketchbooks. During the long flight, arcing over Iceland toward Zurich and Rome, I pondered Robert Henri’s advice in his book The Art Spirit:
“The sketch hunter has delightful days of drifting about among people, in and out of the city, going anywhere, everywhere, stopping as long as he likes—no need to reach any point, moving in any direction following the call of interests. He moves through life as he finds it, not passing negligently the things he loves, but stopping to know them, and to note them down in the shorthand of his sketchbook.”
That would be me; a sketch hunter for a month-long adventure in Italy.
Drawing Lab students work in sketchbooks to augment studies we usually do on larger paper. Our Wednesday and Thursday evening crews enjoy learning quick gesture sketches as well as longer, detailed studies of objects around the studio. Shown in the above photos, Lenore happily busted out a fine Picassoesque gesture sketch of the rooster, while Fiona swiftly studied textures and details of the rusty, old lantern.
On urban streets or nature trails, where I enjoy sketching swiftly, I often find myself struggling with how to show realistic depth in my drawing. I’ve come up with a few strategies that use emphasis of lines and tones to create the illusion of depth and I’d like to share them with you. Continue reading Emphasis In Your Drawing→
Can urban sketching—the art of drawing what you observe in a city—ever become a truly comfortable and relaxing pastime for amateurs? By way of curiosity, commitment, and courage the answer is a resounding YES! Continue reading Ups & Downs of Urban Sketching→