All posts by Rob Court

Founder and drawing coach at the Scribbles Institute, Rob helps adults and kids learn basic drawing skills for work, school, and enjoyment. He is the author of a number of how-to-draw books.

The Art of Studying

Showing off our finished drawings to family and friends can be gratifying. Enthusiastic viewers appreciate your techniques and may even understand that you spend many hours practicing to improve your skills. But hidden to their eyes is your dedication to doing studies—a most misunderstood aspect of learning to draw from observation.

In the tradition of the Renaissance artists, Naomi (shown above) learns the importance of studying as she practices using the system of perspective drawing.

Rachel maps out the contours and tonal values of a still life for her charcoal study.

Early Egyptian, Greek, and Italian Renaissance artists and artisans used drawing to study their subjects. They made countless study sketches to solve problems, prepare artwork, and map out elaborate architecture.

By doing study sketches, students at the Scribbles Institute learn to block in dominant shapes of their subject, sketch accurate contours, and confidently work their way toward drawing final compositions.

But as we learn the art of studying, there can also be a lot of “unlearning” during the process. Continue reading The Art of Studying

Sketches In Paradise

Waking up to a misty Payne’s Gray sky that engulfs coastal Santa Cruz is common at this time of year. On this particular Saturday morning, I was hoping for summer sunshine that would keep our paper dry and help us to see and sketch crucial shadows.

Anticipation ran high as I packed my sketchbook and a lunch. A small tribe of my most ardent studio students was gathering for a workshop at one of my favorite outdoor sketching locations, Wilder Ranch State Park. Continue reading Sketches In Paradise

The Small Drawing Habit

what-about-bob-feature

In the opening scene of the classic comedy What About Bob, we see a perplexed Bob Wiley, played by Bill Murray, contemplating his fate of stepping outside the door of his apartment and onto the streets of New York. He quickly becomes overwhelmed by his fears of just about everything and everyone in the world.

As Bob finally meets with Dr. Leo Marvin, played by Richard Dreyfuss, he sits in awe of the prominent psychiatrist’s suggestion to start with reasonable goals. “Don’t think of everything you have to do to get out of the building, Bob. Think about what you have to do to get out of this room,” says Dr. Marvin as he hands Bob a copy of his book Baby Steps. Comedic escapades ensue as Bob applies life-transforming small habits to the bigger complexities of life.

If it’s difficult for you to set—and maintain—your goal to draw regularly, try the advice given to Bob and take baby steps toward an easy and satisfying drawing habit.

Here are simple steps for starting your small drawing habit: Continue reading The Small Drawing Habit

The Things We Draw

While paging through Charles Bargue’s Drawing course book, Scout’s eyes lit up as we came upon the print of the plaster cast torso.

“It even has block-in lines!” she said enthusiastically, referring to the angled directional lines that would help her depict weight distribution of the figure’s muscles. We promptly bookmarked the page as the subject for her drawing session.

Youth sketcher Scout found the plaster cast torso print to be the perfect subject for Thursday’s session. Her devotion to many hours of study shows in her stellar work.

Choosing a subject to draw is an important aspect of the drawing experience. Your subject should strike an emotional chord that stimulates your eye, builds your skills, and fits your purpose for drawing.

Sometimes I wonder, do we choose our drawing subjects, or do they choose us? Continue reading The Things We Draw